|
|
Carlo Maria Mariani
| BORN |
|
Rome, Italy
|
| EDUCATION |
|
Studied at the Academia di Belle
Arti, Rome, Italy
|
| SOLO
EXHIBITIONS selected |
| 1997 |
Associated American Artists, New
York, NY
Hackett-Freedman Gallery, San Francisco, CA
Carlo Maria Mariani,Premio Marche, Biennale, Ancona, Italy
|
| 1996 |
"Respectful Heresies,"
Studio Cannaviello, Milan, Italy |
| 1995 |
"Stillness in Time,"
Gerald Peters Gallery, Santa Fe, NM
Galerie Klemm, Buenos Aires, Argentina |
| 1994 |
"The Graphic Work of Carlo
Maria Mariani," La Stamperia, Rome, Italy |
| 1993 |
"Dreams," Hirschl &
Adler Modern, New York, NY |
1992
|
Los Angeles County Museum of Art,
Los Angeles, CA
"Works on Paper," Michael Kohn Gallery, Santa Monica, CA |
| 1991-92 |
Mathildenhohe Darmstadt, Germany |
1990
|
"A Rebellion for a New
Time," Hirschl & Adler Modern, New York, NY
Drammen Kunstforening, Drammen, Norway |
| 1988 |
"Paradisio Riconquistato,
Studio d'Arte Cannaviello, Rome
"Paradise Regained," Michael Kohn Gallery, Santa Monica, CA |
| 1987 |
"Centric 27: Carlo Maria
Mariani," University Art Museum, California State University, Long Beach, CA
Sperone Westwater, New York, NY (also 1984)
Galleria Gian Enzo Sperone, Rome, Italy |
| 1986 |
Galerie Tanit, Munich, Germany
Edward Totah Gallery, London, England |
| 1985 |
"Oeuvres Recentes
1982-84," Galerie Eolia, Paris, France
"Dessins et Pastels," Galerie Seroussi, Paris, France |
| 1983 |
"L'Allegoria Mancina,"
Galleria Mario Diacono, Rome, Italy |
| 1982 |
Galleria Mario Diacono, Rome,
Italy |
| 1981 |
Sperone Westwater Fischer, New
York, NY
"Constellation of Leo," Galleria Gian Enzo Sperone, Rome, Italy |
| 1980 |
Galleria Gian Enzo Sperone, Turin,
Italy |
| 1978 |
"Cartoni," Galerie Paul
Maenz, Cologne, Germany |
| 1977 |
"Pictor Philosophus,"
Galerie Paul Maenz, Cologne, Germany
"Animula Vagula Blandula," Galleria Gian Enzo Sperone, Rome, Italy |
| 1976 |
"Baldassarre
Peruzzi/Geschichte," Studio d'Arte Cannaviello, Rome, Italy |
| 1973 |
"Iper/ri/cognizione,"
Galleria d'Arte Seconda Scala, Rome, Italy
|
| GROUP
EXHIBITIONS selected |
| 1997 |
"Figured", Associated
American Artists, New York, NY
"Ezra Pound & Art: The Beautiful is Difficult," Palazzo Bagatti Valsecchi,
Milan, Italy |
| 1996 |
"The Borghese and their
Art," Cultural Center Borghese, Tuscany, Rome
"Anthology," Trevi Flash Art Museum, Trevi, Italy
"Cultured Painting in Italy," Kunsthalle-Brecia
"Per Grazia ricevuta," Ciocca Arte Contemporanea, Milan, Italy
"La Profondita dello Sguardo," Trevi Flash Art Museum, Trevi, Italy |
| 1995 |
"XXVII Premio Vasto: Italian
Art in the Last Century - Art Povera to Post Modern,"
Instituto di Phillippo Palazzi e Commune di Vasto, Vasto, Italy |
| 1993 |
"The Purloined Image,"
Flint Institute of Arts, Flint, MI
"Masquerade-The Mask as Art," Los Angeles County Museum of Art, Los Angeles, CA |
| 1992 |
"Noah's Ark," Trevi
Flash Art Museum, Trevi, Italy |
| 1991 |
"All the Streets Lead to
Rome," Palazzo Delle Esposizioni, Rome, Italy
"National Exposition of Art," Quadriennale D'Arte Di Roma, Rome, Italy |
| 1990 |
"Unalternative Europa,"
Museum of Art, Palazzo Dei Diammanti, Ferrara, Italy
"Future Dimension, XLIV Ezposizone Internazionale d'Arte," Venice Biennale,
Venice, Italy
"Il Mondo delle Tori da Babilonia a Manhattan," Palazzo Reale, Commune di
Milano, Milan, Italy |
| 1989 |
"2000 Jahre die Gegenwart der
Vergang Heit," Bonner Kunstverein, Bonn, Germany
"Italian Art in Russia," Art Center, Moscow and Exhibition for Contemporary Art,
Lenningrad, Russia |
| 1988 |
"Open Mind-Closed
Circuits," Museum van Hedendaagse, Kunst, Ghent, Belgium
"Mnemosyne, or the Theater of Memory," Frankfurter Kunstverein, Frankfurt |
| 1987-88 |
"Classical Myth and Imagery
in Contemporary Art," Queens Museum, Flushing, NY
"Reason and Emotion," Edinburgh International Exhibition, Royal Scottish Academy
of Painting, Sculpture and Architecture, Edinburgh, Scotland
"Memory and Imagination," Royal Scottish Academy of Painting, Sculpture and
Architecture, Edinburgh, Scotland |
| 1987 |
"Exotisme au Quotidien,"
Palais des Beaux-Arts, Charleroi, Belgium
"Modern Myths, Classical Renewal," Boise Art Museum, Boise, ID (traveling)
"State of the Art," Institute of Contemporary Arts, London, England
"Avant-Garde in the Eighties," Los Angeles County Museum of Art, Los Angeles, CA |
| 1986 |
"Vom Keichnen: Aspekte der
Keichnung, 1960-1985," Frankfurter Kunstverein, Frankfurt, Germany
Los Angeles County Museum of Art, Los Angeles, CA
"Aspekte der italienischer Kunst 1960-1985," Osterreiches Museum fur Angewande
Kunst, Vienna, Austria |
| 1985 |
"Second Sight: Biennial
IV," San Francisco Museum of Modern Art, San Francisco, CA
Akron Museum of Art, Akron, OH
"A New Romanticism: Sixteen Artists from Italy," Hirshhorn Museum and Sculpture
Garden, Washington, D.C.
"Metaphor and/or Symbol: A Perspective on Contemporary Art," National Museum of
Modern Art, Tokyo, Japan |
| 1984 |
"Alibis," Centre Georges
Pompidou, Musee National d'Art Moderne, Paris, France
"Content: A Contemporary Focus, 1974-1984," Hirshhorn Museum and Sculpture
Garden, Washington, D.C., Germany
"A Different Climate," Stadtische Kunsthalle, Dusseldorf
"An International Survey of Recent Painting and Sculpture," Museum of Modern
Art, New York, NY
"Art in the Mirror," XLI Esposizione Internazionale d'Art, La Biennale de
Venezia, Venice, Italy |
| 1983 |
"Via New York," Musee
d'Art Contemporain, Montreal, Canada |
| 1982 |
"XXIII Biennale d'Arte Roma
Milano," Palazzo Gottifredi, Alatri, Italy
"Aperto XL Esposizione Internazionale d'Arte," La Biennale di Venezia, Venice,
Italy |
| 1981 |
"Documenta 7," Kassel,
Germany |
| 1980 |
"XVI Bienal de Sao
Paulo," Pavihao Armando Arruda Pereira, Sao Paulo, Brazil
"Arte e Critica 1980," Galleria Nazionale d'Arte Moderna, Rome, Italy |
BIBLIOGRAPHY selected |
| 1996 |
Braff, Phyllis, "Classicsim
in the 20th Century," New York Times, October 20., p. 18 |
| 1996 |
Beatrice, Luca, "Anthology:
Painting in Italy from 1975 to Today," Anthology,
Trevi Flash Art Museum, Trevi, Italy (exhibition catalogue)
Kuspit, Donald, Idiosyncratic Identities, Cambridge University Press, Cambridge. p.
136-144
Sandler, Irving, Art of the Postmodern Era, Icon Editions, Harper & Collins, p. 294-95
Tommasoni, Italo, "Carlo Maria Mariani, The Painter of Silence," Flash Art,
Summer #199, p. 56-59
Lucie-Smith, Edward, Visual Arts in the 20th Century, Laurence King Publishing, London, p.
348 |
| 1995 |
Fleming, William, Arts &
Ideas, Harcourt Brace, New York, NY p. 673-675
Lucie-Smith, Edward, Art Today, Rizzoli, New York, NY
Ebony, David, "Stillness in Time," Gerald Peters Gallery, Santa Fe, NM |
| 1994 |
Ebony, David, "Carlo Maria
Mariani," Art in America, January, p. |
| 1993 |
McEviley, Thomas, The Exiles
Return, Cambridge University Press, pp. 136-144
Cameron, Dan, "Dreams," Hirschl & Adler Modern, New York, NY (catalogue with
color reproductions)
Rosenblum, Robert, "A Postscript, Some Recent New-Romantic Mutations," College
Art Association, p. 74-8 |
| 1991 |
Fox, Howard, "Carlo Maria
Mariani - An Abstraction," Carlo Maria Mariani,
Darmstadt Germany/Los Angeles County Museum of Art (catalogue with reproductions)
Rose, Margaret, "The Post-Modern and then Post-Industrial," Cambridge |
| 1990 |
McEviley, Thomas, "A
Rebellion for a New Time," Hirschl & Adler Modern, New York, NY (catalogue)
Jencks, Charles, "Was ist Postmoderne?" Zurich/Munich, S. 24 ff
Kuspit, Donald, "Carlo Maria Mariani," Venice Biennial Cannaviello Milan, Italy
Lucie-Smith, Edward, Art in the 1980's, Phaidon Press, Oxford, p. 109-114 |
| 1988 |
Iannacci, Anthony, "Carlo
Maria Mariani," Artforum, December, p. 132 |
| 1987 |
Jencks, Charles, Post-Modernism:
The New Classicism in Art and Architecture, Academy Editions, London
Barnes, Lucinda, Carlo Maria Mariani, University Art Museum, California State University,
Long Beach, CA (catalogue)
Russell, John, review, The New York Times, April 24 |
| 1986 |
Beal, Graham W.J., "Second
Sight Biennial IV," San Francisco Museum of Modern Art, San Francisco, CA
Fox, Howard N., A New Romanticism, The Hirshorn Museum and Sculpture Garden, Washington,
D.C. |
| 1985 |
"Metaphor and/or Symbol: A
Perspective on Contemporary Art," National Museum of Modern Art, Tokyo, p. 61
Hughes, Robert, "Gliding Over a Dying Reef," Time, July 2
Rosenzweig, Phyllis, Howard Fox & Miranda McClintic, Content: A Contemporary Focus,
1974-1984, |
| 1984 |
Hirshorn Museum & Sculpture
Garden, Washington, D.C.
McEvilley, Thomas, "On the Manner of Addressing Clouds," Artforum, Summer
Levin, Kim, Artful Dodgers," The Village Voice, Feb 7 Russell, John, "Art: Carlo
Maria Mariani in Classcial Vein,
"The New York Times, January 27 |
|