|
|
MICHELE ZALOPANY
| 1955 |
Born in Detroit, Michigan |
SOLO EXHIBITIONS |
| 1999 |
Associated American
Artists, New York, NY |
| 1998 |
Guy McIntyre Gallery, New
York, NY |
| 1997 |
Lemberg Gallery, Detroit,
MI |
| 1995 |
Associazione Culturale
Ciocca Raffaelli, Milan, Italy |
| 1994 |
Larry Gagosian Gallery/65
Thompson Street, New York, NY |
| 1992 |
Cordula von Keller Gallery,
Gologne, Germany |
| 1991 |
Allessandra Bonomo Gallery,
Rome, Italy |
| 1990 |
Massimo Audiello Gallery,
New York, NY |
| 1989 |
Allessandra Bonomo Gallery,
Rome, Italy |
| 1988 |
Massimo Audiello Gallery,
New York, NY |
| 1987 |
Hoffman Borman Gallery, Los
Angeles, CA |
| 1986 |
John Good Gallery, New
York, NY |
| 1984 |
P.P.O.W. Gallery, New York,
NY |
SELECTED GROUP EXHIBITIONS |
| 1999 |
Review/Preview, Associated
American Artists, New York, NY |
| 1993 |
La Montagna Dipinta,
Rafaelli Studio dArte, Trento, Italy
Drawing the Line Against AIDS, Under the Aegis of the 45th Venice Biennale,
Peggy Guggenheim Collection, Venice, Italy
Grande Lubro, Erice, Sicilia, Italy |
| 1991 |
Anni Novanta, curated by
Renato Barilli, Galeria Communale dArte Moderna, Bologna, Italy
Arte, curated by Oliva Achille Bonita, Rome, Italy |
| 1990 |
Collectors Annual:
Contemporary Art, Boca Raton Museum of Art, Boca Raton, FL
New York: A New Generation, San Francisco Museum of Art, San Francisco, CA |
| 1989 |
The Whitney Biennial, The
Whitney Museum of American Art, New York, NY
The Slient Baroque, curated by Christian Leigh, Galerie Thaddaeus Ropac, Saltzburg,
Austria
The Observatory, Tom Solomons Garage, Los Angeles, CA |
| 1986 |
The Benefit for the Poetry
Project, New York, NY
The Potent Image, The Morris Museum, Morris, NJ
In Black and White, Carnegie Museum of Art, Pittsburgh, PA
Hyperspaces, Art City, New York, NY
Stimulations, John Good Gallery, New York, NY |
| 1986 |
Fictions, Kent and Marcus
Galleries, New York, NY
New Acquisitions, San Francisco Museum of Art, San Francisco, CA
Memorabilia, Emilio Mazzoli Gallery, Modena, Italy |
| 1985 |
57th Between A & D,
Holly Solomon Gallery, New York, NY
Precious: An American Cottage Industry of the Eighties, Grey Art Gallery, New York
University, New York, NY |
SELECTED BIBLIOGRAPHY |
| 1984 |
Walter Robinson and Carlo
McCormick, Promising Debuts, East Village Eye, November, illus: Apollonia, 1984
Vivien Raynor, Michele Zalopany, The New York Times, November 18
Tetsu Fukaya, Neo-Y-Chromosome, Brutus, November
Gini Alhadeff, Neo Galleristi, LUomo Vogue, December
Valerie Smith, Selections, Artist Space, November
John Caldwell, Exhibition Announcement, P.P.O.W Gallery, New York
Carlo McCormick, supplement to the Neo-New York, catalogue, p.10
Phyllis Pious, Neo-New York: Report on a Phenomenon, University Art Museum, Santa
Barbara, CA, November, p.9, 51 |
| 1985 |
Sarah Cecil, Michele
Zalopany, Artnews, February, illus: Vertical Suffering, 1984
Charles Hagen, Michele, Artforum, February
Ron Warren, 57th Between A & D/Allen Ginsberg, Arts Magazine, April
Michael Brenson, The Chi-Chi, The New York Times, April 19
Al Morch, Sampling the Art of New York, San Francisco Examiner, May 10
Steven Hagar, A Young Gallery Gains Ground, Vanity Fair, July
Jane Warrick, Bomb, Fall/Winter
Demetria Daniele, John Good Opens New Gallery with Dan Asher and Michele Zalopany,
Soho Arts Weekly, October 23
Frederick Ted Castle, Michele Zalopany at P.P.O.W., Art in America, December,
illus: The Palace of Janus, 1986
Roland Hagenberg, East Village 1985: A Guide Book
Thomas Sokolowski, Precious: An American Cottage Industry of the Eighties, Grey Art
Gallery, March/May p.6 |
| 1986 |
Judy Stevens, Michele
Zalopany, 108 Magazine May/June
Gary Indiana, Insomnia, The Village Voice, May 27, Illus: Memento 1986
Tom Gugliani, Exhibition Catalogue, John Good Gallery |
| 1987 |
Patty Harris, Stimulation,
108 Magazine, September/October
Michael Laurence, Michele Zalopnay, Flash Art International, October, illus: King
Pleasure, 1987
John Yau, Black and White, Artforum, November, illus: The First, 1987; Without Him,
1985
John Caldwell, In Black and White, The Carnegie Museum of Art (exhibition
catalogue), January 17 - March 15 |
| 1988 |
Claudia Hart, Michele
Zalopany, Artscribe, January/February
Roberta Smith, Group Show Survey: Downtown Galleries, The New York Times, Friday,
June 10
Phylis Floyd with Kevin Arnfield, Art of the 1980s: Artists from the Eli
Broad Family Foundation Collection, Los Angeles (catalogue) |
| 1989 |
Robert Mahoney, New York in
Review, Arts Magazine, January, illus: Untitled (Men at Sea), p.101
Robert Mahoney, Barking for Art, New York Press, May 19, pp.12-13, illus: Bequest
Amei Wallach, 76 Artists as Capitalists, New York Newsday, May 19, illus: Bequest
The Paris Review, no. 110, Spring, Table of Contents, illus: Untitled (Hotel), 1988
Christopher Knight, A Photographic Observatory, Los Angeles Herald Examiner, June
16
Tema Celeste, illus: Black and White |
| 1989 |
The Biennial Exhibition,
The Whitney Museum of American Art, New York, pp.172-173, illus: Home Triumphant, 1988
(catalogue)
The Observatory, exhibition catalogue, Tom Solomans Garage, Los Angeles,
curated by Douglas Blau |
| 1990 |
Gary Schwan, The Palm Beach
Post, March 2, illus: Garden, 1988
Nancy Jones, New York Woman, May, vol. 4, p.40, illus: Forum, 1989
KK Kozik, Cover, September, p.13, illus: Calvary of the Ideal
Ben Brantly, Bohemian Grooves, Vanity Fair, January, pp. 100-104, illus: Back to
Culture
John Caldwell, New Work: A New Generation, The San Francisco Musuem of Art,
catalogue of exhibition, illus: The Bedroom, 1987
Collectors Annual Contemporary Art, Boca Raton Museum of Art, February/March,
p.22, illus: Untitled (Garden), 1988 (catalogue) |
| 1991 |
Michele Zalopany at
Alessandra Bonomo, illus, review, Flash Art, Oct.-Nov., by Patrizia Ferri
Massimo Carboni, review, Trova Roma, June 29, illus: Stone Elephant
Brooklyn Review, cover illus: Untitled
The Library, exhibition catalogue by Douglas Blau, John Baer Gallery, New York
Michele Zalopany, book, Art Random Publishers, Kyoto Shoin, Japan |
| 1992 |
Ellen Daspin, W, article,
Lives of Artists, October-November, pp.18-19 |
| 1993 |
Giovanna Nicoletti, Juliet,
no. 63, Michele Zalopany, p.52, illus: Montagna Vietnamita
Marsha Miro, The Detroit Free Press, June 11, p.6E, Detroit-born artists
drawings re-interpret the beauty of the past, review, illus: The Artist and Her Admirer
Joy Hakanson Colby, The Detroit News, June 25, p.2D, review |
| 1996 |
Juliet, art magazine,
special project, pp.30-31, no.75, Dec. 95-Jan. 96
Romantico Contemporaneo 1996, illus. exhibition catalogue, curated by Alice Rubini,
Castellodi Bentivogli, pp.76-77, January
Juliet, art magazine, illus. artcle, p.52, no. 63, June
La Montagna Dipinta, illus. exhibition catalogue, text by Gabriele Perretta
I Colori della Montagna, article, Trento Notizie, p.3, April
La Montagna Dipinta a Trento, Tema Celeste, announcement, p.61
Dipingere la Montagna Speechio della Vita, Giovanna Nicoletti, Venerdi, article,
pp. 28-29
Extra in Scena la Montagna, Cronaca di Trento, article, May 3 |
| 1998 |
Grace Glueck, The New York
Times, June 5 |
SELECTED PUBLIC AND PRIVATE COLLECTIONS |
|
Bayer, Incorporated
Eli Broad Foundation
Carnegie Museum of American Art
Chemical Bank
Francesco Clemente
S.I. Newhouse
Nagasaki Museum
Norton Museum
Paine Webber
San Francisco Museum of Modern Art
Thomas Ammann
Julian Schnabel
Robert and Susan Sosnick
Philp Taaffe
Cy Twombly
Walker Art Center
Whitney Museum of American Art
Minneapolis Institute of Arts |
|